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Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality.Though particularly present in Germany and Austria, the movement’s approach flourished internationally and is today hailed as one of the most influential shifts in art history. With leading groups Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele,and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface.Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures. Covering the group’s stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
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Abstract Expressionism
Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression.It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning.Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko.Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes.The movement favored large-scale canvases, and embraced the role of accident or chance. With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.
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1000 Masterworks: Abstract Expressionism
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Expressionism in the Cinema
One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics.The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico. An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
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How can one develop visual imagination or creativity?
One can develop visual imagination or creativity by practicing observation and mindfulness. Taking the time to really see and appreciate the world around us can help to develop a deeper understanding of visual elements and how they can be used creatively. Engaging in activities such as drawing, painting, photography, or even just doodling can also help to exercise and expand visual imagination. Additionally, seeking inspiration from other artists and exposing oneself to a variety of visual stimuli can help to spark creativity and imagination.
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What is the difference between abstract expressionism and expressionism?
Abstract expressionism and expressionism are both art movements that emphasize the expression of emotions and ideas through art, but they differ in their approach and style. Expressionism, which emerged in the early 20th century, often features distorted and exaggerated forms to convey intense emotions and inner experiences. On the other hand, abstract expressionism, which gained prominence in the 1940s and 1950s, focuses on the spontaneous and gestural application of paint to create non-representational and abstract compositions that convey the artist's emotions and energy. While both movements prioritize emotional expression, expressionism tends to be more figurative and representational, while abstract expressionism is more focused on non-representational and abstract forms.
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Is this expressionism?
Without a specific expression to evaluate, it is difficult to determine if something is expressionism. Expressionism is a style of art that seeks to express emotions and feelings rather than objective reality. It often involves distortion, exaggeration, and bold use of color to convey the artist's inner experience. To determine if something is expressionism, one would need to analyze the specific artwork in question to see if it aligns with these characteristics.
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What is abstract expressionism?
Abstract expressionism is a post-World War II art movement that emerged in the United States in the 1940s. It is characterized by the use of abstract forms, expressive brushwork, and a focus on conveying emotions and feelings rather than representing the physical world. Artists associated with abstract expressionism include Jackson Pollock, Willem de Kooning, and Mark Rothko. The movement is often seen as a reaction against traditional artistic conventions and a celebration of individual creativity and freedom.
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Subjective Realist Cinema : From Expressionism to Inception
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind.The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.
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German Expressionism : Der Blaue Reiter and its Legacies
This book presents new research on the histories and legacies of the German Expressionist group Blaue Reiter, the founding force behind modernist abstraction.For the first time Blaue Reiter is subjected to a variety of novel inter-disciplinary perspectives, ranging from a philosophical enquiry into its language and visual perception to analyses of its gender dynamics, its reception at different historical junctures throughout the twentieth century and its legacies for post-colonial aesthetic practices.The volume offers a new perspective on familiar aspects of Expressionism and abstraction, taking seriously the inheritance of modernism for the twenty-first century in ways that will help to recalibrate the field of Expressionist studies for future scholarship.Blaue Reiter still matters, the contributors argue, because the legacies of abstraction are still being debated by artists, writers, philosophers and cultural theorists today. -- .
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German Expressionism: Paintings at the Saint Louis Art Museum
The Saint Louis Art Museum has assembled one of North America’s largest and most comprehensive collections of German Expressionist paintings.Rediscover a defining movement of modern art through this original study of works by 25 artists who span its famously wide arc. This is the first publication on the Saint Louis Art Museum’s internationally renowned collection of German Expressionist art, which includes major works by the movement’s leading artists and lesser-known figures rarely seen outside of Germany.Engaging entries delve into the paintings’ histories, from their production to their arrival in St.Louis. An introduction traces the collection’s origins to the flood of Expressionist art that entered the United States during World War II.What emerges is a new account of a pivotal era in modern art.
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Mork Gryning Pieces Of Primal Expressionism 2003 Swedish CD album NFRPROMO62
MORK GRYNING Pieces Of Primal Expressionism (2003 Swedish 8-track advance promotional CD the fourth album from the black metal/experimental group custom card wallet picture sleeve NFRPROMO62) 1. The Sleeping Star2. The Cradle of Civilization3. Perpetual Dissolution4. Our Urn5. An Old Mans Lament6. The Worm7. Fragments and Pieces8. On the Verge of Prime Divinity
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Is it Impressionism or Expressionism?
The style is likely Impressionism if the artwork features visible brushstrokes, a focus on capturing the effects of light, and a naturalistic color palette. On the other hand, if the artwork features bold, exaggerated colors, distorted forms, and a focus on conveying emotion and inner feelings, it is likely Expressionism. It's important to consider the specific characteristics and techniques used in the artwork to determine whether it aligns more with Impressionism or Expressionism.
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What came after literary expressionism?
After literary expressionism, there was a shift towards various other literary movements such as surrealism, existentialism, and the emergence of the "Lost Generation" writers. Surrealism focused on exploring the unconscious mind and dream imagery, while existentialism delved into the individual's search for meaning and authenticity in a seemingly meaningless world. The "Lost Generation" writers, including Ernest Hemingway and F. Scott Fitzgerald, depicted the disillusionment and aimlessness of the post-World War I generation. These movements reflected the changing social and cultural landscape of the early 20th century.
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What are the colors in Expressionism?
Expressionism is known for its bold and vibrant use of colors. Artists often used intense and non-naturalistic colors to convey emotion and express their inner feelings. Common colors in Expressionist paintings include bright reds, yellows, blues, and greens, often used in a way that creates a sense of heightened emotion and drama. The use of color in Expressionism is a key element in conveying the intense and subjective experience of the artist.
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What does monumentalization mean in relation to the principle of artistic design in Expressionism?
Monumentalization in Expressionism refers to the exaggeration and distortion of forms to create a sense of grandeur and emotional intensity. This principle of artistic design in Expressionism emphasizes the portrayal of powerful and exaggerated emotions, often through the use of bold colors, exaggerated shapes, and dramatic compositions. By monumentalizing the subject matter, Expressionist artists aimed to evoke strong emotional responses from the viewer and convey the intensity of the human experience. This approach to artistic design in Expressionism reflects the movement's rejection of naturalistic representation in favor of expressing inner emotions and subjective experiences.
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